Train Your AI examines the process through which artificial systems acquire structure and behavior through exposure to data. Training is not presented as a neutral procedure, but as the mechanism by which a system’s internal model of the world is formed.

The work emphasizes that datasets are not uniform. They differ in content, perspective, and omission, and these differences shape how a system interprets, prioritizes, and generates information. What an AI produces is therefore inseparable from what it has been exposed to.

Training becomes a form of constraint and selection. It defines the boundaries of what can be recognized, what is considered relevant, and how coherence is established. Each system reflects a specific configuration of knowledge—partial, structured, and contingent.

The piece frames this process as a form of world construction. Distinct datasets produce distinct ways of interpreting reality, resulting in a plurality of artificial perspectives that do not fully align, even when built on similar foundations.

DETAILS AND DIMENSIONS

This Giclée print is a limited edition of 7 copies printed on 260 gram Velvet fine art paper. Print size: 30 cm x 47 cm (7,8 X 12,2 inches) paper size: 42 cm x 59,4 cm (16,5 X 23,4 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: August 28, 2025
Print Size: 30 x 47cm
Paper Size: 42 x 59,4cm
Composition No.: 62

The Social Mindset examines how human cognition is shaped by the environments in which it operates. Thought is not treated as purely internal, but as conditioned by the material, social, and technological systems that structure experience.

The work frames cognition as adaptive. In less mediated environments, interaction with the world remains direct and open-ended, allowing thought to extend outward through engagement and improvisation. In highly structured and technologically saturated systems, interaction becomes increasingly preconfigured, guiding attention and behavior through established pathways.

This shift alters the orientation of the mind. As external environments become more densely organized, the space for spontaneous engagement contracts, and cognition turns inward—toward reflection, abstraction, or withdrawal. What emerges is not a fixed state, but a dynamic balance between external openness and internal pressure.

The piece proposes that mental states are not solely individual, but ecological—formed within the conditions of the surrounding system. Creativity, perception, and well-being are therefore linked to how much space remains for unstructured interaction within an increasingly mediated world.

DETAILS AND DIMENSIONS

This Giclée print is a limited edition of 7 copies printed on 300 gram Hahnemuhle fine art paper. Print size: 72 cm x 130 cm (28 X 51 inches) paper size: ~120 cm x 160 cm (~47 X 63 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 72 x 130cm
Paper Size: 120 x 160cm
Composition No.: 54

Digitized Lifeline examines the translation of human existence into digital systems. Activities once grounded in physical, social, and biological processes are increasingly mediated through data—identity, communication, movement, and exchange become structured as traceable and quantifiable signals.

The work frames this shift as a condition of dependency. Participation in contemporary life is increasingly contingent on digital infrastructure, where access to economic, social, and informational systems requires a persistent data presence. The “lifeline” is no longer purely organic, but extended through interconnected networks that sustain and regulate interaction.

At the level of identity, this produces a parallel form of existence. The self is constructed through profiles, images, and behavioral patterns, shaped by systems that organize visibility and interaction. Representation becomes continuous, and increasingly inseparable from lived experience.

The piece proposes a hybrid condition in which human life operates across physical and digital domains simultaneously. This extension enables new forms of connection, while also introducing forms of dependence and modulation that remain only partially visible.

DETAILS AND DIMENSIONS

This Giclée print is a limited edition of 7 copies printed on 300 gram Hahnemuhle fine art paper. Print size: 29 cm x 101 cm (11.4 X 39.7 inches) paper size: ~90 cm x 120 cm (~35 X 47 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 29 x 101cm
Paper Size: 90 x 120cm
Composition No.: 55

Independence (Stage III) reflects a phase in which artificial systems operate across broad, interconnected domains. Rather than being limited to specific tasks, these systems develop generalizable representations that can be adapted, extended, and reconfigured.

The work positions this as an expansion of the cognitive landscape itself. Intelligence is no longer confined to narrow regions, but occupies high-dimensional spaces shaped by scale, data diversity, and interaction. Behavior emerges through prompting and context, rather than explicit instruction.

At this stage, artificial systems begin to function as cognitive substrates—structures that support a wide range of operations without being fixed to a single purpose. Their outputs influence how information is generated and interpreted, contributing to the formation of shared reality.

The piece isolates a condition of emergence: intelligence as distributed, flexible, and increasingly integrated, yet partially opaque in its internal structure.

DETAILS AND DIMENSIONS

This zinc engraving is a single limited edition on a 1.6mm thick zinc plate. Plate size: 24 cm x 30 cm (9,44 X 11,81 inches), engraving size: 24 cm x 30 cm (9,44 X 11,81 inches), frame size: 27 x 33 x 3,5cm (10,6 x 12,9 x 1,3). Each plate is numbered, wax stamped and sold with a frame.
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Publication Date: May 25, 2026
Plate Size: 24 x 30cm
Print Size: 24 x 30cm
Frame Size: 27 x 33 x 3cm

Emergence (Stage II) marks the transition from constructed logic to learned representation. In this phase, artificial systems no longer rely solely on predefined rules, but develop internal structures through exposure to data.

The work situates this shift as the emergence of adaptive positioning within a cognitive landscape. Systems are shaped by training processes that encode patterns, allowing them to generalize within constrained domains. Intelligence becomes conditional—dependent on data, optimization, and context.

This stage introduces a form of internalization: cognition is no longer entirely external, but distributed across learned parameters. Yet it remains fragmented, with each system bounded by the specificity of its training.

The piece captures a transitional condition—where intelligence begins to form, but remains partial and domain-limited.

DETAILS AND DIMENSIONS

This zinc engraving is a single limited edition on a 1.6mm thick zinc plate. Plate size: 24 cm x 30 cm (9,44 X 11,81 inches), engraving size: 24 cm x 30 cm (9,44 X 11,81 inches), frame size: 27 x 33 x 3,5cm (10,6 x 12,9 x 1,3). Each plate is numbered, wax stamped and sold with a frame.

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Publication Date: May 25, 2026
Plate Size: 24 x 30cm
Print Size: 24 x 30cm
Frame Size: 27 x 33 x 3cm

Composition No.: 68

Origins (Stage I) represents an early form of artificial intelligence in which cognition is not learned, but explicitly constructed. Systems in this phase operate through predefined rules, symbols, and logical structures, producing outputs that are entirely determined by their design.

The work frames this condition as a fixed position within a broader cognitive landscape. Intelligence appears here as an external artifact—transparent in structure, yet limited in adaptability. These systems do not reorganize themselves in response to new conditions; they execute within the boundaries set by their creators.

Rather than presenting a fully formed mind, the piece isolates a precursor: a model of reasoning without internal transformation. It reflects a moment where cognition is simulated, but not yet emergent.

DETAILS AND DIMENSIONS

This zinc engraving is a single limited edition on a 1.6mm thick zinc plate. Plate size: 24 cm x 30 cm (9,44 X 11,81 inches), engraving size: 24 cm x 30 cm (9,44 X 11,81 inches), frame size: 27 x 33 x 3,5cm (10,6 x 12,9 x 1,3). Each plate is numbered, wax stamped and sold with a frame.

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Publication Date: May 25, 2026
Plate Size: 24 x 30cm
Print Size: 24 x 30cm
Frame Size: 27 x 33 x 3cm

Composition No.: 67

NONTRON presents a face constructed through digital fragmentation—formed from dots, grain, and discontinuities that suggest both emergence and instability. The image appears less as a fixed identity than as a surface in the process of being assembled.

The work frames this condition as a shift in how identity is formed. The self is no longer grounded in a singular, stable structure, but distributed across systems of representation and mediation. What appears as a face is contingent, recalculated through layers of data and interpretation.

This instability positions identity within a transitional state. The figure is neither fully human nor fully digital, but operates within the overlap between the two—where boundaries between organism and system become increasingly difficult to define.

The piece isolates this condition as a broader principle: that as technology becomes an environment rather than a tool, identity evolves into a dynamic interface, shaped continuously by the systems through which it is expressed.

DETAILS AND DIMENSIONS

This photopolymer intaglio etching is hand pulled in a limited edition of 6 copies on 300 gram Hahnemuller etching paper. Plate size: 7 cm x 10.5 cm (2.7 X 4.1 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 7 x 10,5cm
Paper Size: 30 x 40cm
Composition No.: 10