Neanderthal Now examines the persistence of alternative forms of human cognition through the figure of the Neanderthal. Rather than treating Neanderthals as an extinct lineage, the work positions them as a parallel structure within the broader spectrum of human identity.

The piece draws on the fact of genetic interrelation to challenge linear models of evolution. Human development is not presented as replacement, but as overlap—where multiple forms of perception, behavior, and adaptation coexist within a shared system. What is considered “modern” is therefore not singular, but composite.

This framing extends beyond biology into cognition. Differences in sensitivity, expression, or response are understood not as deviations, but as traces of a more diverse cognitive inheritance. Identity becomes layered, shaped by multiple lineages that remain partially present.

The work proposes a shift from a singular definition of humanity to a plural one, where variation is not residual, but constitutive of what human intelligence is.

DETAILS AND DIMENSIONS

This Giclée print is a limited edition of 7 copies printed on 260 gram Velvet fine art paper. Print size: 30 cm x 45,5 cm (11,8 X 17,9 inches) paper size: 42 cm x 59,4 cm (16,5 X 23,4 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: August 28, 2025
Print Size: 30 x 45,5cm
Paper Size: 42 x 59,4cm
Composition No.: 61

Black Sun presents a dark, central form set against a luminous field, establishing a tension between illumination and obscurity. The composition isolates a moment in which clarity is interrupted by an internal shadow.

The work frames this interruption as a structural condition rather than an anomaly. The presence of darkness within a field of light suggests that visibility and obscurity are not separate states, but interdependent aspects of perception and experience.

This contrast extends to the psychological domain. The central form is not treated as absence, but as a zone of internal density—where unresolved elements, latent structures, or unarticulated states remain present but not fully accessible.

The surrounding field maintains a condition of continuity, positioning the dark form as part of an ongoing process rather than a final state. The piece isolates this relationship as a broader principle: that moments of obscurity are embedded within systems of clarity, and that transformation emerges through their interaction.

DETAILS AND DIMENSIONS

This photopolymer intaglio and aquatint etching on three separate copper plates is hand pulled in a limited edition of 4 copies on 300 gram Hahnemuller etching paper. Plate size: 19.9 cm x 28 cm (7.8 X 11 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 19,9 x 28cm
Paper Size: 30 x 40cm
Composition No.: 25

MAD-donna examines the condition of identity under extreme visibility. The work frames fame as a process in which the self is externalized, amplified, and redistributed through systems of representation.

As visibility increases, identity becomes progressively detached from the individual. The public image—replicated, consumed, and interpreted—develops its own autonomy, no longer fully aligned with the private self. What emerges is a split condition: the individual exists simultaneously as subject and as constructed surface.

The work positions this dynamic as structural rather than exceptional. In a media-saturated environment, identity is shaped through continuous exposure and performance, where recognition is tied to visibility and coherence is maintained through repetition.

MAD-donna isolates the tension between presence and projection, suggesting that the pursuit of visibility produces not a unified identity, but a fragmented one distributed across systems of observation and interpretation.

DETAILS AND DIMENSIONS

This is a collage incorporating a photopolymer intaglio-aquatint etching and pastel and is hand pulled in a limited edition of 1 copy on 300 gram Hahnemuller etching paper. Plate size: 21 cm x 29.7 cm (8.3 X 11.7 inches) paper size:  ~40 cm x 50 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 21 x 29,7cm
Paper Size: 30 x 40cm
Composition No.: 50

Sexual Selection examines mate choice as a system of signaling through which identity, value, and social alignment are expressed. In this context, selection operates not only at a biological level, but within a network of cultural and symbolic frameworks.

The work frames attraction as structured rather than instinctual. Preferences reflect encoded signals—education, status, creativity, or disposition—that function as proxies for more fundamental traits. These signals are interpreted within a shared social field, where individual choices contribute to the reinforcement of collective norms.

What appears as personal preference is therefore positioned as relational and systemic. Selection becomes a mechanism through which identity is both expressed and shaped, linking individual desire to broader patterns of social organization.

The piece highlights the continuity between biological inheritance and cultural abstraction, where underlying drives persist but are translated into increasingly complex forms of representation.

DETAILS AND DIMENSIONS

This Giclée print is a limited edition of 7 copies printed on 300 gram Hahnemuhle fine art paper. Print size: 60 cm x 110 cm (23.6 X 43 inches) paper size: ~90 cm x 120 cm (~35 X 47 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 60 x 110cm
Paper Size: 90 x 120cm
Composition No.: 56