Geometricas I presents a geometric structure organized around repetition and internal continuity. The form suggests a tessellated system in which lines fold back into themselves, creating a closed yet dynamic configuration.

The work frames geometry as a self-referential structure. Boundaries that appear fixed begin to dissolve as internal relations extend and reconnect, producing a condition in which inside and outside are no longer clearly separable. Form is maintained, but its limits become unstable.

This recursive arrangement shifts geometry from static representation to active process. Balance is not achieved through symmetry alone, but through the continuous redistribution of relations within the structure.

The piece proposes geometry as a model for thinking: a system in which order emerges through repetition and transformation rather than fixed containment.

DETAILS AND DIMENSIONS

This photopolymer intaglio etching is hand pulled in a limited edition of 4 copies on 300 gram Hahnemuller etching paper. Plate size: 15.9 cm x 22.2 cm (6.3 X 8.7 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 15,9 x 22,2cm
Paper Size: 30 x 40cm
Composition No.: 24

The Altar presents a minimal interior: a dimly lit space containing a simple arrangement of stones and a distant window. The composition is reduced to essential elements, emphasizing form, symmetry, and spatial relation.

The work frames this setting as a structure of absence. The altar, traditionally a site of meaning and devotion, is here emptied of explicit reference. What remains is the arrangement itself—objects that retain their form but no longer point to a fixed system of belief.

This shift repositions ritual as formal rather than symbolic. Balance, repetition, and material presence replace narrative or transcendence. The window introduces an external reference, but offers no resolution, functioning as a boundary rather than a destination.

The piece isolates a contemporary condition in which meaning is no longer given, but deferred. Structure persists, while interpretation remains open, suspended between presence and absence.

DETAILS AND DIMENSIONS

This photopolymer intaglio etching is hand pulled in a limited edition of 5 copies on 300 gram Hahnemuller etching paper. Plate size: 9.4 cm x 14.9 cm (3.7 X 5.9 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 9,4 x 14,9cm
Paper Size: 30 x 40cm
Composition No.: 44

Rubik’s Circle transforms the logic of a discrete puzzle into a continuous system. Where the cube is defined by fixed faces and separable units, the circle removes boundaries, replacing segmentation with uninterrupted adjacency.

The work frames this shift as a change in how systems are understood. In a bounded structure, elements can be isolated and aligned toward a stable solution. In a continuous topology, every movement propagates across the whole, preventing final resolution. Order becomes dynamic rather than fixed.

This condition positions interaction as inherently interdependent. Adjustment does not resolve the system, but redistributes imbalance, producing new configurations without closure.

The piece proposes a broader model of complexity in which systems cannot be solved in a definitive sense, but must be navigated as ongoing processes shaped by continuous relation.

DETAILS AND DIMENSIONS

This photopolymer intaglio etching is hand pulled in a limited edition of 6 copies on 300 gram Hahnemuller etching paper. Plate size: 19.9 cm x 14.9 cm (7.8 X 5.9 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 19,9 x 14,9cm
Paper Size: 30 x 40cm
Composition No.: 35

Geometricas III presents a geometric form that resists complete resolution. Its structure suggests precision and order, yet remains partially indeterminate—positioned between clarity and ambiguity.

The work frames geometry as a limit condition. While form implies rational construction, it does not yield full comprehension. Edges, planes, and volumes align, but do not resolve into a fully stable or transparent system.

This tension positions the structure at the boundary between knowledge and uncertainty. Geometry, often associated with certainty and measure, becomes instead a site where understanding remains incomplete.

The piece isolates this condition as a broader principle: that even within systems of apparent order, there exist elements that resist full interpretation, maintaining a persistent gap between structure and meaning.

DETAILS AND DIMENSIONS

This intaglio and aquatint etching is hand pulled in a limited edition of 3 copies on 300 gram Hahnemuller etching paper. Plate size: 19.9 cm x 20.7 cm (7.8 X 8.1 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 19,9 x 20,7cm
Paper Size: 30 x 40cm
Composition No.: 29

The Brutalist Totem examines architecture as a marker of collective identity within the modern city. The vertical structure is treated as a condensed form of urban presence, where density, repetition, and material weight reflect the conditions of contemporary life.

The work frames the city as a system of proximity. Individuals remain distinct, yet are continuously brought into relation through shared infrastructure and spatial constraint. The structure becomes an index of this condition, registering accumulation rather than singular narrative.

Concrete, in this context, is not neutral. Its mass and uniformity express resilience and endurance, while also reflecting the anonymity and scale of urban environments. The totem no longer encodes a fixed lineage, but a distributed and evolving identity shaped by coexistence.

The piece isolates this transformation as a broader principle: that collective identity in modern systems emerges not from origin, but from sustained interaction within shared structures.

DETAILS AND DIMENSIONS

This photopolymer intaglio and aquatint etching is hand pulled in a limited edition of 2 copies on 300 gram Hahnemuller etching paper. Plate size: 13.2 cm x 28.6 cm (5.2 X 11.3 inches) paper size: >30 cm x 40 cm (>12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 13,2 x 28,6cm
Paper Size: 30 x 40cm
Composition No.: 30

The Window Within presents a minimal aperture whose orientation remains uncertain. What appears to be a stable frame is subtly destabilized, shifting between interior and exterior, observation and projection.

The work frames perception as an active construction. Rather than revealing a fixed reality, the “window” exposes the mechanisms through which coherence is imposed on ambiguous input. The viewer is positioned within this process, confronted with the limits of what can be directly known.

This ambiguity extends inward. Self-perception is not treated as transparent, but as mediated by interpretive structures that shape how experience is organized and understood. What appears as introspection is therefore contingent, formed through the same processes that govern external perception.

The piece isolates this condition as a broader principle: that clarity and distortion are not opposites, but coexisting aspects of how reality—both external and internal—is constructed.

DETAILS AND DIMENSIONS

This photopolymer intaglio and aquatint etching on three separate copper plates is hand pulled in a limited edition of 4 copies on 300 gram Hahnemuller etching paper. Plate size: 8.1 cm x 11.7 cm (3.2 X 4.6 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 8,1 x 11,7cm
Paper Size: 30 x 40cm
Composition No.: 27

Geometricas II presents a geometric structure defined by extension into space. The rectangular form is treated not as a flat shape, but as a volumetric condition—articulating relationships between interior and exterior, containment and openness.

The work frames geometry as functional organization. Proportion, alignment, and repetition establish a system in which form is determined by its internal logic rather than external reference. What emerges is a structure that is both stable and directional, guiding how space is perceived and inhabited.

This configuration positions geometry as constructive rather than descriptive. The form does not represent space; it organizes it, creating a framework through which light, volume, and relation are structured.

The piece isolates this condition as a broader principle: that clarity and coherence arise from the alignment of form and function within a defined system.

DETAILS AND DIMENSIONS

This photopolymer intaglio etching is hand pulled in a limited edition of 2 copies on 300 gram Hahnemuller etching paper. Plate size: 19.9 cm x 13.8 cm (7.8 X 5.4 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.

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Publication Date: September 4, 2025
Print Size: 19,9 x 13,8cm
Paper Size: 30 x 40cm
Composition No.: 28