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Image 1 of 1
Image 1 of 1
Image 1 of 1
The Window Within presents a minimal aperture whose orientation remains uncertain. What appears to be a stable frame is subtly destabilized, shifting between interior and exterior, observation and projection.
The work frames perception as an active construction. Rather than revealing a fixed reality, the “window” exposes the mechanisms through which coherence is imposed on ambiguous input. The viewer is positioned within this process, confronted with the limits of what can be directly known.
This ambiguity extends inward. Self-perception is not treated as transparent, but as mediated by interpretive structures that shape how experience is organized and understood. What appears as introspection is therefore contingent, formed through the same processes that govern external perception.
The piece isolates this condition as a broader principle: that clarity and distortion are not opposites, but coexisting aspects of how reality—both external and internal—is constructed.
DETAILS AND DIMENSIONS
This photopolymer intaglio and aquatint etching on three separate copper plates is hand pulled in a limited edition of 4 copies on 300 gram Hahnemuller etching paper. Plate size: 8.1 cm x 11.7 cm (3.2 X 4.6 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.
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Publication Date: September 4, 2025
Print Size: 8,1 x 11,7cm
Paper Size: 30 x 40cm
Composition No.: 27
The Window Within presents a minimal aperture whose orientation remains uncertain. What appears to be a stable frame is subtly destabilized, shifting between interior and exterior, observation and projection.
The work frames perception as an active construction. Rather than revealing a fixed reality, the “window” exposes the mechanisms through which coherence is imposed on ambiguous input. The viewer is positioned within this process, confronted with the limits of what can be directly known.
This ambiguity extends inward. Self-perception is not treated as transparent, but as mediated by interpretive structures that shape how experience is organized and understood. What appears as introspection is therefore contingent, formed through the same processes that govern external perception.
The piece isolates this condition as a broader principle: that clarity and distortion are not opposites, but coexisting aspects of how reality—both external and internal—is constructed.
DETAILS AND DIMENSIONS
This photopolymer intaglio and aquatint etching on three separate copper plates is hand pulled in a limited edition of 4 copies on 300 gram Hahnemuller etching paper. Plate size: 8.1 cm x 11.7 cm (3.2 X 4.6 inches) paper size: ~30 cm x 40 cm (~12 X 16 inches). Each print is numbered and signed and sold without a frame.
-
Publication Date: September 4, 2025
Print Size: 8,1 x 11,7cm
Paper Size: 30 x 40cm
Composition No.: 27